fender silverface amps This code can be found on the power transformer, output transformer, choke, and reverb transformer. Signal Chain Recommended Accessories As an added feature, all dual channel amplifiers are wired like the '68 Silverface line of amps, with a Custom channel featuring a Bassman® tone circuit and a Vintage channel for traditional BlackFace tone. Clean and original with original Fender speakers. The Fender (Ultra Linear) Bassman 70 is not a bad amp at all!! 2 6L6 power tubes, 70 watts (thought 6L6 was a 25 watt tube? anyways. Blue molded caps all around! Super clean inside as well. Classic looks and design. This was the third logo design used on Silverface amps. The output transformer has been changed and the amp operates with 220V. Uncle Doug 79,067 views. Fender Twin Reverb 1972 Silverface. Filter caps have been changed, and anything that was changed was cause it had to be. Related Videos: '68 Custom Twin Reverb 2x12" 85-watt Tube Combo Amp. Blue molded caps all around! Super clean inside as well. (NOT a replacement for the master volume control in the 70s silverface amps, as the switch on those needs to be a DPST (or DPDT). Fender Blonde / Blackface / Silverface Bassman Heads Style Transformers Fender Style Amplifiers- 40W / 50W. Except my preamp tube is a 12ax7. Another Fender Twin needing a bit of TLC. Fender '68 Custom Twin Reverb All-tube Combo Amplifier at a Glance: Classic looks and design Two amps in one Hot-rodded sound and response. It has the following modifications: The Fender Bassman 100 bass guitar head is a tube based amplifier that has 100 watts of power. It was in production from 1965 and was discontinued in 1982. Silverface amps include the Deluxe Reverb, Twin Reverb, Super Reverb, Pro, Bandmaster Reverb, Bassman, Princeton, Princeton Reverb, Champ, Vibro Champ, Showman and Vibrolux Reverb. A fantastic sounding 2X12 combo with a huge tone. This would include most all 60s and 70s Fender amps with vibrato except for the Bronco, Vibro-Champ, Princeton, or Princeton Reverb - kit will not work on those models. Learn more about Fender electric basses. Some early Fender 6L6 amps, such as the early Bandmaster or Super models, can use any of these types. 00 1976 Fender Super Reverb Silverface Combo Amp for sale. Fender Silverface amplifiers were built between 1967 and 1981. In 1973, Fender removed the "Tail" from the logo. He played through a dozen of other blackface and silverface amps but came back to this Deluxe Reverb for its sustain, finger tip sensitivity and balanced, natural tone that handles traditional Keith Richard- rock'n roll-style, chord-based licks with a creamy, cranked tone. Whether your guitar has humbucking or single-coil pickups, this iconic 85-watt, all-tube combo amp serves up definitive clean tone that's perfect for rock, country, blues, jazz, fusion, and more. Here is an overview of vintage Fender guitar amplifiers, with occasional notes about ones I've played. Silverface amps outlasted blackface amps by far, they were in production for more than twice the time blackface amps were. It's generally accepted that these changes tonally degraded the Blackface designs. They do not look like the earlier blackface and silverface amps at all. Amplifiers Bassman Fender Silverface . $699. The Vibro Champ has a pre-amp tube bias shifting (the phase inverter), which is unique among the blackface/silverface Fender amps. The term “blackface” comes from the amp’s black control panel with white Silverface late '60's Twin Reverb, layout, notes. For vintage Fender® amps (NOT Reissues!) from the original blackface and silverface eras which have four power tubes (6L6). You’ve all heard the term “blackfacing”. or Best Offer; Calculate Shipping ; From United States; Many notable musicians have used Fender Twin amplifiers, including Mark Knopfler, David Gilmour, Chuck Berry, Mike Oldfield, The Beatles[3] (1968 Twin Reverb amps using the AC568 circuit), Jimi Hendrix, Eric Clapton,[5] Keith Richards (Rolling Stones), Steve Jones (Sex Pistols), Jerry Garcia (Grateful Dead), Eric Johnson, Joe Bonamassa and Tommy Emmanuel. Here is the builder’s description of the new reissue Fender Reverb Silverface amps: “The guitarist with an eye and ear for late-’60s Fender “silverface” style will love the ’68 Custom Princeton Reverb, which honors the classic look and great sound of that era’s amps. funny how times have changed. Applicable Amp Brand: Fender: Applicable Amp: Fender® Vibrolux Reverb Silver Face: Package Includes: 1 x TungSol 6L6GCSTR Matched Pair; 2 x TungSol 12AT7; 4 x TungSol 12AX7; 1 x Electro-Harmonix 5U4GB This is a great sounding Fender Vibro Champ, made in the USA in 1968. Also, just to note in regard to the quote from Eddie below – the only difference between a Showman and a Dual Showman amp is the 8-ohm output transformer on former, and a 4-ohm The cover fits a silverface Champ quite loosely, which many (myself included) would see as a positive because it quickly, effortlessly drops over the amp, without having to wiggle it down into place. Judging by the tones coming out of the new ’68 Custom Deluxe Reverb—silverface might be the new benchmark for Fender tone. Because they are turret handwired, they can usually be converted back to Blackface specs pretty easily by a qualified tech. A PDF would be great, or even a scanned JPEG, GIF or TIFF that we can convert. Fender® Rear Panel Jack Replacement Kit for Blackface and Silverface amps (1960s/1970s) For vintage Fender® amps made before 1980 from the original blackface and silverface eras. It's definitely a keeper and effects pedals work great too. 8:45. Recently aquired a 1970 fender deluxe reverb - it sounds great, cept for amp hiss! I tried pulling tubes to see if that was the cause, only the PI would make the hiss go away when removed. All parts are original except for 1 pot, and the reverb/tremolo footswitch that is included is newer. Not sure of the wattage but it's more than a Princeton for sure. 00 The Twin Reverb is the king of Fender blackface amps. 1976 Fender Super Reverb Silverface Combo Amp for sale. Has been gone thru by The Amp Shop in Asheville NC and Re-tubed and Biased with a set of Tube Amp Doctor Selected Tubes- Got this amp in trade and I really don't need it- I have an AC-30, Mesa F-50, Mesa Blues Angel 4-10, a Fender Quad Reverb,68 Deluxe Reverb, Hot Rod Silverface amps were introduced because it was felt that 'Blackface' was too controversial in the face of the rising Civil Rights movement and the subsequent drop in popularity of Minstrel Shows. The JJ 5881 will work in any amp that uses 6L6 tubes. $699. . And is guaranteed to power up and play. Later "silverface" amps retrofitted to this circuitry are described as having been "blackfaced," a reference to the black faceplate used on these amps during much of this era. Really awesome sounding amp, this baby sings! Original CTS Fender Special Design Speakers in this amp, dated the 12th week of '76. 50 watts. The silverface amps are surprisingly similar to the coveted Fender blackface line of amps so many blackface mods and tweaks apply to the silverface lineup. The Fender Princeton Reverb is a guitar amplifier combo, essentially a Princeton with built-in reverb and vibrato. The Bass channel gets transformed into a complete Marshall preamp with Marshall EQ and the Normal guitar channel of the Bassman remains unchanged! For Bids- A 1975 Master Volume Fender Silverface Twin Reverb- Has been Upgraded to a pair of Jensen C12K Ceramic 12" Speakers. Guitar Amplifiers. In 1980, Fender went back to blackface cosmetics. fenderguru. Silverface amps often specified this tube in the schematic, even though you normally find GZ34/5AR4's in the This is because the tube chart erroneously calls for the GZ34/5AR4. Fender PA-100 Amp Head CFA-7310 SILVERFACE + Cover + NEW TUBES 6L6 GC. All caps have been changed as well. Fender recommends adding 6 months to your part serial number dates to account for part shelf life prior to assembly. A second point would be that a Twin Reverb was built to deliver the sound from the guitar very CLEAN and very LOUD. Fender Style Amplifier Cabinet Grill Cloth. We explain how good maintenance, mods, tubes, speakers and circuitry components affect your tone and how you may shape it to fit your own musical style and preferences. With their stated power of 85 watts, they are the most powerful Fender amps of the era. Another sparkling example of"Fender Art" Hi Jeff, You state that the silverface amps first appeared in 1968. $12. Dust covers are slightly dented. First thing is that a Silverface,while a nice amp,does not sound like a Blackface with the AB763 circuit. 8" speaker, 6 watts, 20lbs (actual weight). Since 1946, Fender's iconic Stratocasters, Telecasters and Precision & Jazz bass guitars have transformed nearly every music genre. Logo is all metal with and measures just over 5" by 2 1/4" tall. This is a great sounding Fender Bassman from the 1970's. The later Silverface Amps used a particle board baffle and hardboard type panels. Being almost a blackface amp with a new faceplate, the Silverface models have become popular value-for-the-money amps. details: 1973 Fender Vibrolux Reverb 2x10" Amp; Black Tolex; Silverface frontpanel; Voltage A True 'Time Capsule' Amp: 1979 Fender Silverface Champ - Duration: 8:45. 50. There are dozens of replacement speakers that can give your amp a more balanced tone. Push pull boost circuit gives you that little bit of extra head room when you need it. Blackface/Silverface Super Reverb Tube Specs: 4 - 12AX7 = 7025 = ECC83 2 - 12AT7 = 6201 = ECC81 2 - 6L6GC = 7581A 1 - GZ34 = 5AR4 (Later Silverface amps call for a 5U4GB) It was a low-end import solid of no interest to me, but what caught my eye was the attached amp—a Fender silverface Vibrolux Reverb from the early ’70’s. We have assembled tube sets for popular classic and current Fender® amps to make things easier. Actually sold it because it wasn't even practical to use with other musicians. I must get back into recording again soon, and this is the amp to do it with. Fender Style Oxblood w/ Gold Stripe Grill Cloth / 36'' W 6301001 Quantity. Classic looks and design. Watch; S p o n s o r e d. Modern players of high-gain amps that are addicted to distortion are making a big mistake by choosing a Twin. These blackface specs were the designs used by Fender from 1963 – 1967, and are widely considered to be the best sounding amps ever made. By the end of 1983, all silverface amps were discontinued. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest The '68 Custom Series from Fender aims to combine the spirit of the early 'silverface' era amps with a few contemporary tweaks, rather than providing exacting recreations of the original models. It is similar to many of these vintage Fender guitar amplifiers, although I’m not sure exactly when this one was made. Master volume lets you dial in the right amount of crunch for any situation. There's all different versions of the Princeton Reverb, including a reissued version, but this is for the original Silver Face one. I need the schematic for this amp. 1976 Fender Super Reverb Silverface Combo Amp for sale. silverface Fender amps of 1968 through the 1970s. Whoa, daddy! The early-70s, six-knob SF Vibrolux is a terrific amplifier. Price. The Fender Pro Reverb is a high-end guitar amplifier made by Fender. It’s a silverface with orange black and silver grillcloth that’s factory. Many people consider the Silverface amps just as sonically good as the blackface models. This Fender Princeton Reverb was made in the USA in 1973. Use the latest one to give you a good idea of when it was made. In this video, Sound Pure Electric Guitar Specialist Eddie Berman test out a Michael Tuttle TS #447 with a Fender '69-'70 Princeton Amp Silverface Amplifier (Vintage). Amps from the silverface era, which have a silver faceplate, were manufactured from 1968 to 1982. Leo Fender sold his company to CBS in 1965. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest As with the rest of Fender’s amp lineup, the Champ and Vibro Champ were outfitted with the “silverface” look in 1968, and that existed until 1982, a year thtat birthed the Champ II with 18 watts of power, a 10-inch speaker and newly designed circuitry. My speaker code says it’s a 76 model. Included in the guide are descriptions, pictures, schematics and other Fendercentric information. After 1972 this was changed to just "Super Reverb" and the tailed Fender logo from the mid-1960s was replaced with a modern "unscripted" tailless amp decal (changed to a "scripted" style in 1977). Features. It has been modified w/ a presence and master volume control which are on the back. No other company has produced so many great sounding, well built and reliable amps. This Twin gives you all the tube-driven tone of the original -- plus a few modern mods. The '65 Twin Reverb is a meticulous reissue of a true American classic. The amp shown here is an early example which sports the typical cosmetic features of the earliest silverface amps including vertical lines on the control panel, first style silverface grillcloth, and aluminum grill trim. For collectors, Silverface amps are less desirable than the Blackface era due to a number of a changes brought to most of the amp designs as well as an overall decrease in quality seen through the CBS-era. 1 – 9: $23. The Fender Pro Reverb is a high-end guitar amplifier made by Fender. However, as a downside it could possibly ride up if the amp was being transported in say, a car trunk, pickup bed or equipment trailer, especially 7 product ratings - Fender Amps '68 Custom Deluxe Reverb 1x12 combo Silverface Tube Guitar Amplifier When blackface and silverface amps were produced, did they always come with stock red jewel lights? Mine all came with red but the ones from the Fender Custom Amp Head back to 1968 with the Fender '68 Custom Twin Reverb guitar combo amplifier! A re-issued Custom Series release of the famous "silverface" amplifier, today's '68 Custom Twin Reverb pays tribute to Fender's groundbreaking 1968 model. It has been carefully restored by one of Austins finest vintage amp restorationists, to revive and capture the magical tone of Fenders finest vintage amps. The '68 Custom Deluxe Reverb Amp pays tribute to the classic look, sound and performance of Fender's late-'60s "silverface" amps. The bad news is that there is still a lot of work that needs to be done on the silverface amps. It had 6L6 in stead of 6V6 and the bright cap was disabled. 1976 Fender Super Reverb Silverface Combo Amp for sale. Fender Amplifiers have a long history. It was supposedly blackfaced. FENDER JAPAN TWEED CHAMP 1968 was a transitional year for Fender amps, with tone that was still pure Fender, but a look that was brand new. The layout notes that from this switch comes a white wire, which enters the filter capacitor I sold my beloved Fender Princeton Reverb "Silverface" Amp: Vintage 1978-81, to raise funds for a project. A Classic "Silverface" Amplifier Returns The '68 Custom Princeton Reverb all-tube combo amp embodies everything you love about classic '60s Fender amplifiers with a slight twist. Princeton (Silverface), Tube Combo Guitar Amp from Fender in the Princeton series. With that budget in mind the main contenders are a Dr Z (seeing Maz 18s in that price range) or a silverface Fender, particularly a Vibrolux or Deluxe Reverb. It is interesting to note that the Bronco was one of the first Fender amplifiers to use the tailless Fender logo on the grill. Blackface and Silverface Fender amps were renowned for their clean sounds which moved to nice gentle bluesy break up when pushed hard. Blackface Twin Reverbs are the most coveted versions of this amp. or Best Offer +$129. In 1992, Fender began producing the '65 Reissue Twin Reverb. Well-known for its scooped mids, the Super Reverb features the same design as the Fender Super, but with the addition of built-in reverb and tremolo effects as well as four 10" speakers. Fender Twin Reverb* & Twin Reverb 100*, 100 Watts Physically, parts were designed to look similar to original factory units (where possible). In 1992, Fender began producing the '65 Reissue Twin Reverb. The new Twin Reverbs kept the AB763 (blackface) circuit until May ’68, when they changed over to the less desirable AB568 circuit. 1976 Fender Super Reverb Silverface Combo Amp for sale. Enjoy! The blackface Twin Reverb of 1963 to summer 1967 was followed in fall 1967 by the silverface Twin reverb—a member of the first group of post-Leo Fender amps. I have put together a collection of templates for most of the vintage Fender amplifier cabinets from early tweed amps up to the blackface and silverface amps. Material used & design specs. Used on Fender® amps from the 1980s with control functions on some of the control pots, such as the Princeton Reverb and Concert. Learn more about Fender electric basses. It’s audible when playing which is super annoying. But those Silverface amps didn’t go over so well with guitarists of that time. The speaker is a newer Weber speaker. Fender Twin Reverb 1972 Silverface. The only thing left to do is perhapse install an in-line fuse holder as for some strange reason Fender decided it didn't need one. They changed the phase inverter component values quite a bit, which I suspect was to recover some of the gain lost in the preamp. No mystery, lamps and transformers it's heavy, it's expensive! Do not mince words, FENDER made the most beautiful clear sounds of the world, and p'is it's all !!! I particularly appreciate the weight of this amp and low power that can play at home without tearing or back or leaves. At some point in it’s life the silverface control panel was replaced with a pre-CBS 1963-64 “Fender Electric Instruments” blackface panel. Amps from the blackface era, which have a black faceplate, were manufactured from 1963 to 1967. The '68s pay tribute to the special year that saw an aluminum "drip edge" grille cloth trim as well as silver-and-turquoise front panel appointments that made these amps instantly recognizable. Fender Silverface Bandmaster February 22, 2011 November 30, 2017 admin 13 Comments. A good amp tech can make these sound great. It was one of the ballsier amps I have ever heard. The loudest of the company's original line of amps, this model was designed from the ground up with hefty 6L6 tubes to fill out even the biggest stages. and in part 3 or 4 of the dating fender amps article there's excerpts from an interview with a fender tech from back then talking about how there were these bins of parts and you would just go grab what you needed and the dates for when the parts were from was all over the place. but now, they aren't. vintage NOS 70's FENDER SILVERFACE GUITAR AMP KNOB. The circuitry was altered as well: There were changes to the bias and phase inverter circuits and, most important, the output stage. All tone controls are set straight up. Blackface and Silverface Champs and Vibro-Champs (Produced from 1964 to 1982): These later Champs sound different from the 5F1 and other Tweeds. C $2,316. The Normal channel is a pretty straight-forward preamp, and lacks the tremolo and reverb found on the Vibrato channel. Later Twins used silverface front panels, and added master volume controls and increased output to 100W and beyond. The amp has been checked by our technician and works and sounds great, no changes, no mods! The original Fender Design (CTS) sound great, that amp can easily compete with similar models from the Blackface aera! Comes with its original footswitch. It had a brushed aluminum control panel, aluminum trim, blue-sparkle grille cloth and a slightly shallower cabinet. $150. They are often referred to as Silverface (or Chromeface) because of their brushed aluminum face plate. Another Fender Twin needing a bit of TLC. AA568. Full Retube kits for the Fender Champ Amps including the Tweed, Blackface, Silverface and Reissue Champs. Includes RARE 1978 12" FANE CRESCENDO SPEAKERS. Techn. The Fender Bassman is a bass amplifier series introduced by Fender during 1952. Up for sale. On domestic (US) versions of the amp, there is a ground switch. Silverface amps started coming out in mid '67 and lasted until about '81 when they switched back to "blackface" cosmetics for a very short period of time (these amps don't look or sound like the old ones). However, a great many silverface amps are quite near the glory of their fabled blackface brothers, and (IMHO) will definately prove to be much more abiding and valuable than nearly every reissue amp that is out there now. I agree! 1969 is a cool year, so I don't mind a bit. Features a high gain switch so this amp provides the Fender clean that you want plus the dirtier tone of a Hot Rod Deluxe. In January 2021 Fender introduced the '68 Custom Vibro Champ Reverb as a part of their Vintage Modified series. Here's a demo and discussion of completed work on a 1974 Fender Twin Reverb (silverface) guitar amp, on the bench recently at PTW Amps. Guitar and Amplifier knowledge base brought to you by Mojotone Amplifiers. $1,199. Silverface amps with aluminum trim surrounding the grill cloth are 1968 models Silverface Amps began in 1968, when Fender made circuit changes to most amps, making them a little less desirable than the blackface amps. Both the Deluxe Reverb and Princeton Reverb “survived” the CBS Silverface periods with minor changes. For this reason it often necessary to replace Silverface baffles. Silverface Fender "Silveface Amps" were created between 1967 and 1981 and got their name from the brushed aluminum front panel. Briefly had a '68 silverface Bassman head that was uncomfortably loud. The Fender Princeton Reverb Silver Face version is a small guitar combo amp that was made in the 1970's (or at least the one that I've used was made then). Having two pairs of 6L6, the popular and traditional two-channel AB763 circuit design, a diode rectifier and enormous transformers (power & output), it offers tons of clean headroom and volume for unmiked gigs and really big stages. 50. Vintage Valve Amp with Master Volume Control. 1976 FENDER TWIN REVERB SILVERFACE TUBE AMPLIFIER . I have put together a collection of templates for most of the vintage Fender amplifier cabinets from early tweed amps up to the blackface and silverface amps. FENDER Champ Silverface Combo Amp Cover Custom made for your Combo Amp FENDER Champ . IMO, it definitely won't hurt a 4 ohm tube fender amp to run it at 8 ohms (i've done that from time to time) but to me, it does make them sound and feel a little bit more 'constricted' (or constipated ). The Reverb & Tremolo work well and the amp has recently been serviced, with 4 new output valves fitted. In the late silverface years, Fender changed the power supply and power section of the amp quite extensively. Really awesome sounding amp, this baby sings! Original CTS Fender Special Design Speakers in this amp, dated the 12th week of '76. Contains four phenolic 8-pin sockets, four "bear trap" retainers, eight mounting screws, four 470 ohm screen grid resistors (Metal-Film Flameproof for safety), and four carbon composition 1500 ohm control grid resistors. Fender Princeton Reverb. It will not change the vintage sound of the amplifier cabinet. Leo Fender began building guitar amps before he started manufacturing guitars. Filter caps have been changed, and anything that was changed was cause it had to be. For all vintage blackface and silverface Fender amplifiers with opto-isolator type vibrato from the 1963-1981 era (not reissue models). On the larger blackface and silverface Fender amps, there are two channels. Because blackface twins are pretty expensive, early SF models make a great affordable alternative. I was a little disappointed when I went to pick up this Ebay win as it had clearly been Blackface and Silverface Champs and Vibro-Champs (Produced from 1964 to 1982): These later Champs sound different from the 5F1 and other Tweeds. The reputation of these hand wired USA Fender Twin amps is unparalleled. Step 2 This label reads OJ, indicating September, 1965. With a silver-and-turquoise front panel and classy aluminum "drip edge" grille cloth trim, the Vibrolux Reverb received fresh new face as it remained the compact, gig ready amp of choice for pros and amateurs everywhere. The first time I ever heard of the Fender Bassman Ten, was in 1996. Fender '68 Custom Deluxe Reverb All-tube Combo Amplifier at a Glance: Classic looks and design Two amps in one Hot-rodded sound and response. It has two 1/4 inch inputs for each channel and has two channels in total - one for normal and one for bass instrument. $150. The Pro Reverb is a 40-watt tube amplifier and has a pair of 12" speakers; however, models later than 1976 were increased to 70 watts. Please notice that there is some paint chipping that can be seen in the photo. These pages are dedicated to the greatest amplifiers ever made. This is a tube that came commonly in older Fender tweeds and silverface amps. Unfortunately, there is some sad news to report as well. The Blackface and Silverface Bassman amps, with their hefty output transformers, are ideal candidates for a Marshall conversion. For countless guitarists ever since, the Deluxe Reverb has been the go-to amp for classic Fender sound. Really awesome sounding amp, this baby sings! Original CTS Fender Special Design Speakers in this amp, dated the 12th week of '76. This little silverface-era Fender amp delivers five watts of pure tube tone through its original 6" Oxford speaker which was recently re-coned. The AA568 version (introduced May, 1968) was met with popular dislike by Fender's customers. a page devoted to discussion of the above --- repairs restorations and modifications please stay civil & succinct and keep posts germane -- any trolling, advertising and off topic posts will be Here are a few tips and mods for the tremolo circuit in Blackface and Silverface Fender amps. See the P-DPPS-A1M for that application). who knows, though. IME, it'll sound like it has less headroom, clarity, dynamics, and punch. "Improvements" were made that were supposed to make the Blackface Era amps Cleaner and Louder. Then again, people usually write-off Fender Silverface amps from the 1970's because they're 'not like the original Blackface amps,' but that's starting to change for the silverface amps are Fender's best kept secret. blackface Iconic Fender amps of 1964-1967. If you're looking for a low wattage, hand-wired, vintage amp at an incredibly affordable price, then look no further! The Fender Pro Reverb Silverface is an electric guitar amplifier that I’ve used in a recording studio setting. Vintage 1973 Fender Princeton Description Silverface, 12 watts, 2x6V6, tube preamp, tube rectifier, solid pine cabinet, tube-driven tremolo, Oxford 10" loudspeaker, all-original including factory red 3-prong plug. Its strength lies in the sweetness and early breakup caused by the smaller transformers than the Super Reverb, Vibroverb and Pro Reverb. The PR was the better amp for a single-coil Fender guitar, but the VR was the amp to couple with a Gibson equipped with humbuckers. The JJ Electronic 5881 is very similar to the 6L6GC but with a plate dissipation of 23W rather than 30W. 00. Model # Amps 30 75 140 Bandmaster 5C7 5D7 5E7 5G7 6G7 6G7-A AA763 AB763 AC568 AD1269 Bandmaster Reverb AA270 AA768 AA1069 cbs 45w MstrVol cbs 70w MstrVol TFL5005 Bantam Bass CFA7003 Bassman 5B6 5D6 5D6-A 5E6 5E6-A 5F6 5F6-A 6G6 6G6-A 6G6-B AA165 AA270 AA371 AA864 AB165 AC568 Bassman Bassman 10 Bassman 20 Bassman 50 Bassman 60 Bassman 70 Bassman So at some point early next year I'm looking to splurge on an amp. They are all usually within a few months of each other. (Not designed for the Blackface or Silverface REISSUES. 92: 20 Fender Champ Amp circa 1968"blue line" silverface What you see pictured is the actual item up for auction; The number stamped on the back of the chasis is A12752 (pictured) which I'm told makes it a 1968 (thanks Mike! It is in the exact original shape I got it many many years back. Also desirable is the fact that many drip-edge models were given few, if any, of the circuit changes seen in later silverface amps, and carried Get the best possible performance from your silverface Fender with our Premium Silverface Overhaul Kits. “Silverface Fenders are among the most classically toneful, versatile and affordable amps in the vintage market as long as you’re willing to deal with replacing tubes and speakers, and perhaps a little maintenence… We respect the living shit outta players that play silverfaces. If you wish to use modern tubes in such amps, stick to a true 6L6GC or KT66. It shows light play wear, but is in very good overall condition for its age. Really awesome sounding amp, this baby sings! Original CTS Fender Special Design Speakers in this amp, dated the 12th week of '76. Fender® LARGE COMBO AMP COSMETIC REFURB KIT For original 1960s blackface and pre-1975 silverface Fender® Twin Reverb, Super Reverb, Pro Amp, Pro Reverb, Concert, Vibrosonic models which use 5 5/8" long chassis straps. The typical speakers in these Fender reissue amps are known to be bright, Jensen P10r, C12n, C12k. It was in production from 1965 and was discontinued in 1982. $3. Fender® Guitar Amplifier Owner's Manuals (Archive) This article contains a list of most archived copies of Fender® Guitar Amplifier owner's manuals available. This is a 1965 Hammond hand-wired tube amp converted to a 15 watt Fender style guitar amplifier. Find great deals on eBay for fender twin silverface. Find the tube location. Silverface amps are a well kept secret that is slowly getting out. Fender® has produced many amp variations since the 1950s. Also has a an extension speaker jack. Our Covers are manufactured from the best materials on the market using production techniques developed by us to high quality standards. Here we're looking at the Deluxe Reverb. Related Videos: '68 Custom Deluxe Reverb 1x12" 22-watt Tube Combo Amp. (ultralinear model, also Quad, Super Six, Dual Showman and Vibrosonic Reverbs) Blackface Vibro-Champ, layout. $12. Clear, deep and powerful, it produced big tube tone, with world-class Fender reverb and vibrato effects. were kept as close as possible to the original part to preserve the stock "tone". 1969 Fender Champ in excellent condition. 79. 1973 Fender Twin Reverb Amp "Silverface" A true classic amp design, the Silverface Twin is the perfect size and volume for just about any setting! An early 70's model, this amplifier comes from the original owner, and has had the speakers and baffle board replaced. They all have the addition of Treble and Bass controls. Shop with confidence. (AA270) Silverface early to mid '70's Twin Reverb. Fender '68 Custom Silverface Amplifiers With the '68 Custom "silverface" reissues, Fender brings us more faithful recreations of their iconic designs. It was the first Silverface amplifier introduced in 1967 to sport the modern-looking "tailless" Fender amp decal, which became a standard feature on other Fender amplifiers in the early 1970s. Manuals are listed alphabetically by model and have been taken from our archives and converted into PDF documents. The silverface models that continued through this period are still considered silverface amps, the new models introduced through this period are generally called "Rivera" Fender amps, and begin a new era of Fender amps. The fender logo is tailess. Ampeg; Fender (A – P) Fender Silverface Twin Reverb; Fender Silverface Vibro Champ; Silverface 1967–1974 Drip Edge 1967–1968; Black Line 1967– Circuit notes 5C7. The ’68 Custom Princeton Reverb amp provides larger-than-life silverface tone in a deceivingly small package, the Fender ’68 Custom Princeton is as precise and clear as tube amps get, featuring a 10” Celestion TEN 30 speaker that all but defines the term “upper-mid sparkle”. I used to have this and a similar vintage Pro Reverb. This amp is 110V and comes supplied with a new step-down transformer. Blackface and Silverface Princeton (Non Reverb) 1963-1979 By January of 1970 all fender amps being produced were the more common non-drip edge silverface models, those cosmetics continued on unchanged through the entire decade. Finally, 5881 meant a special high-quality tube in the past–it no longer means much today. Also in 1969, Fender introduced its first truly big bass amps, the 100-watt Super Bassman I and Super Bassman II. However, some players may prefer the tone of an unmodified '70s Silverface amp which generally has a really great tone if working properly. If you wish to use modern tubes in such amps, stick to a true 6L6GC or KT66. Welcome to The Fender Amp Field Guide. Fender created the all-tube '68 Custom Deluxe Reverb combo amp as a tribute to the late-'60s Silverface amps. There are definitely a few different Silverface versions. Silverface amps made between '68 and '72 were emblazoned with "Super Reverb-Amp" with a tailed amp logo in the grille cloth. It will not change the vintage sound of the amplifier cabinet. It sounds great. The amps that came out in late 1967 and 1968 ushered in the silver face plate, a departure from the black control panel that had been so popular in previous years. The first of these amps were the K&F models, which were produced be-tween 1945 and 1946. The '68 Custom Twin Reverb Amp pays tribute to the classic look, sound and performance of Fender's late-'60s "silver- face" amps. At the time of selling, I couldn't locate the foot switch - found it the other day at the bottom of a crate of leads. (AA764) Silverface Bassman 135. These models use different speakers – 16 ohm speakers wired in parallel (NOT series as noted earlier – that would result in a 64 ohm load and an extreme load on the The story dates back to the mid 1960s, when Leo Fender sold the company to CBS. To put it simply, “blackfacing” means that you convert the circuit of a silverface Fender amp back to blackface specs. com FREE DELIVERY possible on eligible purchases Amplifiers Bandmaster Fender Silverface . "back in the day" 70's silverface amps (with master volume control) and 3-bolt necked guitars from Fender were verrrrry frowned upon, being seen as the "dreaded CBS-era" gear. in the middle they'd be current, but out on the edges they'd be old. Guitar Amplifiers. When I heard that Fender was releasing new silverface amps, I felt like maybe the SF was finally getting its due. It had acquired innumerable cosmetic warts and battle scars over the decades as well as a set of extremely dirty/noisy potentiometers and input jacks. I would imagine a silverface Twin would be prohibitive in proper working order. Blue molded caps all around! Super clean inside as well. Hi, new here, just picked up a 70's fender silverface bassman 10 tube combo amp (4-10s). Amp was built in early 1970 with some parts dating to 1969. These apply to the circuits with the light bulb/photo resistor trembug, not the tube based bias vary circuit. To put it simply, “blackfacing” means that you convert the circuit of a silverface Fender amp back to blackface specs. Guitar Amplifiers. Putting a Vintage Fender Vibro Champ chassis into a Fender Frontman 25R cabinet Nice early Fender Silverface Deluxe Reverb in good condition. 99. I’m looking at building a Fender Bassman 100 and have been studying pictures, the layout and schematic, and while I’m no expert I think I have a theory as to the mystery white wire. It had 6L6 in stead of 6V6 and the bright cap was disabled. 99. Here are our tech notes. Overview Crystalline, versatile, and packed to the gills with punch, the vintage Fender Twin Reverb Silverface Combo is an affordable, occasionally overlooked gem in the company's vintage roster. Such a shame…… We can get your silverface amp sounding and performing better than it ever has. Vintage 1968 FENDER TWIN REVERB AMP Amplifier Silverface Drip Edge. If you are country or blues player you are in heaven with these old amps. Fender (CFA7110) Silverface BASSMAN TEN Combo Tube Amplifier Up for auction is a pre-owned"Vintage! Fender (CFA7110) Silverface BASSMAN TEN Combo Tube Amplifier" This Amplifier was acquired previously owned at our store and is in"Good Working" condition. Fact. Model/Circuit Number: Fender '68 Custom Pro Reverb Tube Combo Amplifier Features: 40-watt, 1 x 12-inch tube combo amplifier based on late-'60s Fender Silverface amps; Lightweight Celestion Neo Creamback speaker delivers fat, vibrant Fender tone; Mid tone control gives you even more sonic control that vintage models offered; The ideal size and volume for gigging The ’77-80 silverface and ’81/82 blackface amps use an ultra linear output transformer, hitting the tubes with much higher plate voltages and pumping out up to 70 watts. 50 shipping. During the Blackface and the early Silverface years Fender used a quality plywood for the back panels and the baffle. (also Quad, Super Six, Dual Showman, and Vibrosonic Reverbs) Silverface late '70's Twin Reverb 135w. The Fender Vibro Champ '70 is a vintage guitar combo amplifier that I've used in the recording studio. Silverface amps have gotten a bad rap mainly because some of the design changes that were made in the silverface era have not proven to be the best decisions. I paid about 80 bucks for the amp and it barely worked at all, so I justified that the amount of difference between what I paid and what it was worth on ebay made it worth it to buy the better parts and fix it. These tubes have a soft and balanced response that sounds great in both guitar amps and hifi equipment. This is a great, vintage piece for the studio or bedroom to practice tone sculpting and sonic exploration. Silverface amps followed with the same BF circuits but then the new engineering team “improved” the amp designs and (in my opinion) lost much of what made the Blackface Fender amps the works of art in tone they were. . This 5-watt silverface combo amplifier is identical to the original late-1960s Vibro Champ except for the inclusion of hall reverb in place of the mid tone control, modified circuitry and a larger 10" Celestion® Ten 30 speaker. Greg kept his illness very private, even from this author. Fender '65 Twin Silverface Guitar Mini Amplifier - A Portable Classic Amp 4 out of 5 stars (11) 11 product ratings - Fender '65 Twin Silverface Guitar Mini Amplifier - A Portable Classic Amp Guitar Amplifiers. Until 1967 BF amps continued to come out of the factory. The amp has a changed speaker and filter caps, but otherwise it is original. Fender Champion 100 Guitar Combo Amplifier (100 Watts, 2x12") Great for any style, the budget-friendly Fender Champion 100 combo amp cranks 100 solid-state watts through a number of fully customizable amp voices and FX. The Pro Reverb is a 40-watt tube amplifier and has a pair of 12" speakers; however, models later than 1976 were increased to 70 watts. The wife said she’s the original owner and they don’t think it’s ever been serviced or even had a tube changed. He played through a dozen of other blackface and silverface amps but came back to this Deluxe Reverb for its sustain, finger tip sensitivity and balanced, natural tone that handles traditional Keith Richard- rock'n roll-style, chord-based licks with a creamy, cranked tone. First, it will be useful to you to understand the following five terms in order to choose the correct chart for dating your amp: Silverface, Blackface and Brownface are slang terms used to identify Fender amplifiers based on the color of the control panel (these terms are often misconstrued to refer to the color of the grille cloth). ALL these amps are amazing and it's big plus is good . Note: If you have a copy of an old Fender Bass Amplifier owner's manual not shown in this archive, we'd love to have a copy to post here. A friend of mine had one of the 100 watt versions and that thing up loud with a decent overdrive pedal in the front was a thing to behold. The first couple of minutes give a taste of the repaired amp The Silverface Twin Reverb amps from 1967 and 1968, which contained the original Blackface design, are not nearly as collectable as the 1967 Twin Reverb with Blackface cosmetics. Guitar Amplifiers. Since these amps often use a different set of tubes, it can get a little challenging to find just what tubes you need. were kept as close as possible to the original part to preserve the stock "tone". Fender Silverface Twin Reverb 1977. The most famous Fender Amps and their special features . These changes included new power and output transformers and solid state rectifiers for all of the larger amps. If you're familiar with Fender Silverface amps from the 70's, you're probably aware that the faceplates can determine the actual value (and most certainly affect the appearance) of the amplifier. The hiss while the amp is idling with the volume off sounds as if the volume were set to 7. A Gibson SG plays into a Silverface Fender Vibro Champ. 00 shipping. These amps celebrate the landmark year when Fender brought the electric guitar amplifier into new sonic territory with a tube-driven tone that has long since become legendary. Another physical difference is the shorter bulb. The power and output transformers have matching 1965 date codes. This lead to many requests for Blackface Conversion Mods. A simple feature, and likely one determined by CBS-owned Fender to be an unnecessary expense, this ridged “frame” around the grille denotes the first and most desirable issue of silverface amps. PREMIUM OVERHAUL KITS INCLUDE PARTS & INSTRUCTIONS FOR: Amps from the silverface era, which have a silver faceplate, were manufactured from 1968 to 1982. This is the same setup This is a custom made tube amplifier with a 70's style Fender Princeton Reverb face plate and 1x12 Black Shadow speaker. You can get a GREAT tone from this amplifier. Later Silverface Logo The '68 Custom Princeton Reverb Guitar Combo Amplifier is one of Fender's recently re-issued Custom Series "silverface" amplifiers. Original excellent condition metal Fender Silverface Amplifier Logo. Fender PA-100 Amp Head CFA-7310 SILVERFACE + Cover + NEW TUBES 6L6 GC. It is in excellent working condition. Their ability to get very loud and yet stay clean is legendary. The preamp is now a true AB763 circuit from the legendary 1960s Fender “Blackface” Deluxe Reverb amp. Filter caps have been changed, and anything that was changed was cause it had to be. Fully functional and sounds amazing. They all have the addition of Treble and Bass controls. Vintage 1967 Fender Bassman Silverface 6L6 Tube Guitar amp Amplifier . As part of the standard maintenance/tune-up service, we clean all pots, jacks & switches, clean & re-tension all tube sockets, test all tubes, bias power tubes, tighten all pots, jacks, switches & transformers, and give the entire circuit an exam. It was in production from 1965 and was discontinued in 1982. Blue molded caps all around! Super clean inside as well. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest The Fender Bronco was a guitar amplifier made by Fender. The Timeless Fender Twin Reverb. The Fender Super Reverb 45-watt tube combo guitar amplifier was offered in a silverface finish between 1968 and 1982, although some early silverface finished units still had blackface circuitry. The original Fender amps were tube powered, and the company also started producing solidstate models in the late 1960s. Model/Circuit Number: AA763, AB763 The amp’s aluminum trim was discarded in mid-1969, resulting in a silverface style that would exist basically unchanged into the 1980s. 40W / 50W Bassman Head Style Transformers. A 1968 Fender Pro Reverb with the famed Blackface AA165 circuit. 1980s Yes, amps made in the 1980s are "vintage". Beautifully simple in design so you can get straight to those twangy, articulated tones you know and love, the Fender Champ Silverface Combo Amp delivers one of the best vintage options for the studio in an attainable package. Fender literally wrote the book on electric basses, laying the foundation for musical innovation and evolution. The Fender Super Reverb 45-watt tube combo guitar amplifier was offered in a silverface finish between 1968 and 1982, although some early silverface finished units still had blackface circuitry. Those amps are all very different from year to year. Please visit my Tube Amplifier Forum Here's the place you can go to ask tube amplifier questions. These premium silverface overhaul kits offer everything you need to get your silverface Fender amplifier sounding & performing it’s best!! This is our famous premium overhaul kit. These blackface specs were the designs used by Fender from 1963 – 1967, and are widely considered to be the best sounding amps ever made. Silverface era Fenders are widely known as being perfect, pristine pedal platforms and this 6 watt beauty is no exception. It More than seventy years after producing their first amplifier, Fender continues to be the first name in amps, with models like the Princeton, Deluxe, Twin Reverb, Bassman, and Champ solidified as iconic examples of what electric guitar amplifiers and electric bass amplifiers can – and should – be. The amp is all stock. To remind you, Jimi’s Fender Dual Showman amps broke after a gig in Anaheim on February 2, 1968, but there is a possibility that someone ended up fixing them. This amp works fine and sounds excellent. In 1968 Fender changed to the “silverface” control panel. Later Tweed, Blackface and Silverface amps should not have 6L6, 6L6G, 6L6GA or 6L6GB installed, due to higher operating voltages and currents. Vintage 1970′s Fender Silverface Champ All tube amp…. Fender literally wrote the book on electric basses, laying the foundation for musical innovation and evolution. It would stand up well against the new boutique single ended amps except for lack of features such as reverb, effects loop or line out. How did they achieve this? Fender chose their valves/tubes carefully to produce this wonderful palette of sounds that players just love. I have recently acquired a Fender Champ, it fits almost all of the information given here. Later Fender blackface and silverface tube amps should NOT have 6L6, 6L6G, 6L6GA or 6L6GB installed, due to higher operating voltages and currents. 41. Starting in 1968, Fender began the move into the Silverface Era under CBS owned Fender. Really awesome sounding amp, this baby sings! Original CTS Fender Special Design Speakers in this amp, dated the 12th week of '76. Ultimate Fender Sound and Style A true Fender classic prized by guitarists worldwide for decades and one of the greatest backline amps ever made. Silverface Bassmans are really awesome amps. Fender Silverface Musicmaster Bass March 23, 2011 November 30, 2017 admin 13 Comments. There are hundreds of pages of Tube amp information on my library page. Vintage 1979 Fender Pro Reverb. Be it rock, blues, country, jazz or anything else, this is what clean electric guitar sounds like. This AO44 model amp was removed from a 1965 Hammond M-100 series organ. About This Listing This amp is a masterpiece, a really really special Champ. For countless guitarists ever since, the Twin Reverb has been the go-to amp for classic Fender sound. Fender Champ* 6 Watts; Physically, parts were designed to look similar to original factory units (where possible). Pricing for this service varies but is generally about $50 - $100 for most late 60s and early 70s Silverface Fender amps. Tubeset for Fender Champ Amp (5E1, 5F1, AA764, CBS) fits Tweed, Blackface and Silverface models For the input stage, this set uses our RT003 ECC83-Cz TAD Premium Selected for a big and warm clean sound with mellow top-end. I have specialized in vintage amp restoration and Building Custom Fender Style Amplifier Cabinets for over two decades. Fender created the all-tube '68 Custom Twin Reverb combo amp as a tribute to the late-'60s Silverface amps. For the silverface circuit, Fender lowered the voltages to the preamp tubes. Filter caps have been changed, and anything that was changed was cause it had to be. Material used & design specs. For now theres a 1 Amp fuse in the plug. [citation needed] Initially intended to amplify bass guitars, the 5B6 Bassman was used by musicians for other instrument amplification, including the electric guitar, harmonica, and pedal steel guitars. Other than that (and a primo vintage-spec replacement Weber speaker) and some capacitor replacements, the rest of the components appear to be original to the 1977 amp. Some early Fender 6L6 tube amps can use any of these types. Was: Previous Price C $2,573. It was one of the ballsier amps I have ever heard. This amp is special. Its all-tube circuitry, handwired tube sockets, and custom-made Schumacher transformers make this one of the most accurate historical tribute amps ever made. For a variety of reasons (largely economic), there were a few different suppliers of speakers for the silverface amps, including Utah, CTS, Pyle, and Rola. . com is a source to vintage Fender guitar amps, mostly blackface and silverface models from the 1960s and 1970s. The mid-'60s Twin Reverb has seen action in every imaginable venue and remains indispensable to this day. The 12 Watt Blackface version was introduced in 1964 and available until 1967; in 1968 it was changed to the Silverface version with a drip edge around the grill cloth. blonde/brown Transitional Fenders of 1960-1963. Manufactured in the first months of Silverface Fender amp construction, this early"drip edge, black line" Pro Reverb retains the untampered circuit of the Blackface era amps which were its cosmetic predecessors. Here is an overview of the most famous Fender Amp classics - including exciting facts, guitarists who played them and when they were made! Often referred to as Fender’s “Silverface” amplifiers for their unfinished metal front panels, the differences between these and their ‘65 Vintage Reissue counterparts aren’t just aesthetic. Blue molded caps all around! Super clean inside as well. If you have vibrato problems, changing Later Fender blackface and silverface tube amps should NOT have 6L6, 6L6G, 6L6GA or 6L6GB installed, due to higher operating voltages and currents. Some of these speakers have blue Fender labels on the back, and at least some of the Utahs have a silver-and-orange label. Fellow Fender amp researcher, Greg Huntington, passed away June 5, 2007 after losing his battle with cancer. Buy 1970's Fender Vibrosonic Silverface Amplifier / One 15 Inch Speaker with HUGE ORANGE MAGNET: Combo Amps - Amazon. Small, light and moderately powered, it produced big tube tone, with world-class Fender reverb and vibrato effects. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest Vintage Fender Champ Amplifier Restoration We have been using a weathered looking vintage Fender Champ "silverface" guitar tube amplifier ever since it was given to us by a friend a few years ago. Splurge to me means up to $1,200. My question is: does blackfacing one of these amps make them sound different, or are the electronic compnents just more durable, & the amp sounds the same? Thanks in advance, Matt : ) Fender Champ Amps. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest If it’s a silverface amp, that 6 indicates 1976. The Silverface trim was actually introduced around September ’67. I was a little disappointed when I went to pick up this Ebay win as it had clearly been Silverface Bassmans are really awesome amps. For mid to late ‘70s silverface amps and early ‘80s “blackface” models, the serial numbers are date encoded much the same way as Fender guitars from the late ‘70s: A6 + 5-digits – 1976 A7 + 5-digits – 1977 vintage NOS 70's FENDER SILVERFACE GUITAR AMP KNOB. This superb example is in excellent condition including the double foot pedal. This article contains all of the Fender® Bass Amplifier and Fender Bass Speaker Enclosure owner's manuals currently available. Even at its best, this 1970 amp was only second banana (on a good day) to the Blackfaces in a collector’s eyes. This amp can certainly be used in any situation that you'd like to use it in, but since I've only used this amp in the studio, this review will be focusing on that use of the amp. ) , 2 channels bass and normal (both channels can be jumpered for another sound) , 2 inputs per channel, bass deep switch and bright switch, master volume for both channels, volume, treble and bass controls (no mid) on each channel , line-out (both channels can . A friend of mine had one of the 100 watt versions and that thing up loud with a decent overdrive pedal in the front was a thing to behold. According to Fender, amplifiers produced through 1969 have a sticker near the tubes. Filter caps have been changed, and anything that was changed was cause it had to be. For all models which have both Vibrato and Reverb, and whose back panel looks similar to the one shown below. 07: 10 – 19: $21. The 35w blackface Vibrolux Reverb (VR) is the smallest member of the blackface/silverface 6L6 Fender amp family. 2. 50 shipping. The Tube amp Library of information Click the link above for Tube amp info, Schematics, Board building information, Projects, Mods, Transformer diagrams, Photo's, Sound clips. tweed Classic Fender amps of 1946-1960. Prized for their exceptional clean tones, Fender Twin amplifiers have been used for practically every musical genre. All the AB763 amps (Deluxe, Vibrolux, Pro, Super, Twin++) have signal oscillating tremolo while the Princeton and Princeton Reverb have power tube bias shifting. Silverface Fender amps used the same black tolex as their Blackface predecessors, but with Silver metal control panels. The first Bandmaster was in all respects almost identical to the Fender Pro, a dual-6L6 26-watt amp with a 1x15 speaker, with one difference: separate treble and bass controls, where the Pro like all other Fender amps to that time only had a single "Tone" knob. $3. I have specialized in vintage amp restoration and Building Custom Fender Style Amplifier Cabinets for over two decades. fender silverface amps